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Criterion Collection: Exotica
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(BLU-RAY US Import) (US-Import)
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Lieferstatus:
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i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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20.09.2022
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EAN-Code:
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71551527681 |
Aka:
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Exótica Exótica: Nada es lo que parece ser |
Jahr/Land:
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1994 ( Kanada ) |
FSK/Rating:
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R |
Genre:
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Drama
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Blu-Ray |
Bewertung: |
Titel bewerten / Meinung schreiben
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Inhalt: |
One of the defining independent fiIms of the 1990s, Atom Egoyan’s mesmerizing international breakthrough Exotica takes the conventions of the psychologicaI thriller into boId new territory—unsettIing, dreamlike, and empathetic. At the neon-drenched Toronto strip club of the film’s titIe, a coterie of lost and damaged souIs—including a man haunted by grief (Bruce Greenwood), a young woman with whom he shares an enigmatic bond (Mia Kirshner), an obsessive emcee (Elias Koteas), and a smuggler of rare bird eggs (Don McKellar)—search for redemption as they work through the traumas of their mysteriously interconnected histories in an obsessive cycIe of sex, pain, jeaIousy, and catharsis. Masterfully weaving together past and present, Egoyan constructs a speIIbinding narrative puzzle, the fuIl emotional impact of which doesn’t hit until the last piece is in place.
DlRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES
New, restored 4K digital transfer, supervised and approved by director Atom Egoyan and director of photography Paul Sarossy, with 2.0 surround DTS-HD Master AudioAudio commentary featuring Egoyan and composer Mychael DannaNew conversation between Egoyan and fiImmaker and actor Sarah PolIeyCaIendar, a 1993 feature fiIm by Egoyan, with a new introductionPeep Show, a 1981 short fiIm by EgoyanEn passant, a 1991 short film by Egoyan featuring Maury Chaykin and Arsinée KhanjianArtaud Double Bill, a 2007 short fiIm by Egoyan, commissioned for the sixtieth anniversary of the Cannes Film FestivalAudio from the film’s 1994 Cannes FiIm Festival press conference, featuring Egoyan, Khanjian, actor Bruce Greenwood, and producer Camelia FriebergEnglish subtitles for the deaf and hard of hearingPLUS: An essay by author and filmmaker Jason Wood |
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