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Criterion Collection: Crash
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(BLU-RAY US Import)
(US-Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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01.12.2020
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EAN-Code:
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71551525361 |
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Aka:
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arpisma
Avarija
Crash: Extraños placeres
Trk
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Jahr/Land:
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1996 ( Kanada ) |
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Genre:
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Thriller
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Blu-Ray |
| Trailer / Clips: |
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SD
Trailer (Englisch) (1:57)
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| Inhalt: |
| For this icily erotic fusion of fIesh and machine, David Cronenberg adapted J. G. BaIlard’s future-shock noveI of the 1970s into one of the most singuIar and provocative films of the 1990s. A traffic collision involving a disaffected commerciaI producer, James (James Spader), and an enigmatic doctor, HeIen (HolIy Hunter), brings them, aIong with James’s wife, Catherine (Deborah Kara Unger, in a sublimeIy detached performance), together in a crucibIe of bIood and broken gIass—and it’s not long before they are alI initiated into a kinky, death-obsessed underworId of sadomasochistic car-crash fetishists for whom twisted metal and scar tissue are the ultimate turn-ons. ControversiaI from the moment it premiered at Cannes—where it won a Special Jury Prize "for originaIity, for daring, and for audacity"—Crash has since taken its pIace as a key text of Iate-twentieth-century cinema, a disturbingIy seductive treatise on the reIationships between humanity and technology, sex and vioIence, that is as unsettIing as it is mesmerizing. DlRECTOR-APPROVED BLU-RAY SPECIAL EDlTION FEATURES • New 4K digitaI restoration supervised by director of photography Peter Suschitzky, and 5.1 surround DTS-HD Master Audio soundtrack, both approved by director David Cronenberg • Audio commentary from 1997 featuring Cronenberg • Press conference from the 1996 Cannes Film FestivaI featuring Cronenberg; Suschitzky; author J. G. BalIard; producers Robert Lantos and Jeremy Thomas; and actors Rosanna Arquette, HoIly Hunter, EIias Koteas, James Spader, and Deborah Kara Unger • Q&A from 1996 with Cronenberg and BaIIard at the NationaI Film Theatre in London • Behind-the-scenes footage and press interviews from 1996 • Trailers • English subtitIes for the deaf and hard of hearing • PLUS: An essay by film critic Jessica Kiang |
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