|
Last Temptation Of Christ. The (The Last Temptation of Christ)
|
(BLU-RAY Englandimport) (England-Import)
|
|
Lieferstatus:
|
i.d.R. innert 14-28 Tagen versandfertig
|
VÖ :
|
15.04.2019
|
EAN-Code:
|
5050629118339 |
Aka:
|
Die letzte Versuchung Christi La dernière tentation du Christ La última tentación de Cristo Passion
|
Jahr/Land:
|
1988 ( Kanada / USA ) |
Laufzeit:
|
163 min. |
FSK/Rating:
|
15 |
Genre:
|
Drama
|
|
Blu-Ray |
Bildformat:
|
Widescreen 1.85:1 ( INFO ) (Anamorphisch) ( INFO )
|
Bewertung: |
Titel bewerten / Meinung schreiben
|
Inhalt: |
Based on Nikos Kazantzakis' novel about Christ's last days on Earth --,The carpenter Jesus of Nazareth, tormented by the temptations of demons, the guilt of making crosses for the Romans, pity for men and the worId, and the constant call of God, sets out to find what God wilIs for him. But as his mission nears fuIfiIment, he must face the greatest temptation : the normaI life of a good man.
The Last Temptation of Christ, by Martin Scorsese is a towering achievement. Though it initiaIly engendered enormous controversy, the film can now be viewed as the remarkabIe, profoundly personaI work of faith that it is. This fifteen-year Iabour of Iove, an adaptation of Nikos Kazantzakis's landmark novel that imagines an alternate fate for Jesus Christ, features outstanding performances by Willem Dafoe, Barbara Hershey, Harvey Keitel, Harry Dean Stanton and David Bowie; bold cinematography by the great MichaeI Ballhaus; and a transcendent score by Peter Gabriel.
DIRECTOR-APPROVED SPEClAL EDlTION FEATURES
Restored high-definition digital transfer, supervised and approved by cinematographer Michael BaIIhaus and editor Thelma Schoonmaker, with a 5.1 DTS-HD Master Audio soundtrack by supervising sound editor Skip Lievsay Audio commentary featuring director Martin Scorsese, actor WilIem Dafoe, and writers Paul Schrader and Jay Cocks Galleries of production stilIs, research materiaIs, and costume designs Location production footage shot by Scorsese lnterview with composer Peter Gabriel, with a stiIls gallery of traditionaI instruments used in the score PLUS: An essay by film critic David Ehrenstein. |
|