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Autor(en): 
  • Gavin Jantjes
  • Visual Century Volume Three: 1972-1993 - South African Art in Context 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Mai 2015  
    Genre:  Architektur, Archäologie, Kunst 
    ISBN:  9781868145263 
    EAN-Code: 
    9781868145263 
    Verlag:  Wits University Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 269 mm / B 240 mm / D 20 mm 
    Gewicht:  1085 gr 
    Seiten:  232 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:

    In the third volume of the Visual Century Collection, the national struggle for democracy is juxtaposed with the challenging art of the time period.
    Visual Century: South African Art is a four-volume publication that reappraises South African visual art of the 20th century from a postapartheid perspective. It is the only publication that provides an overview of a century of South African art, with in-depth discussion by leading art historians and reproduction of a large number of artworks, providing readers with fresh perspectives on complexities that still resonate today. Bracketed by porous transitional moments in the early 1970s and 1990s, this third volume covers a period characterized by a deepening of the struggle for democracy, a time when historical preoccupations with race were increasingly complemented with growing discourses on class and gender. The chapters address the multiplicity of ways in which artists responded directly and indirectly to the challenges of this period, mostly as individuals but also through organizations. Resistance and complicity, and the spaces between, found expression in the use of everyday themes, biblical sources, ethnically derived themes, subtle and extreme forms of humor, as well as through representations of conflict are all explored. This is a period when challenging art was produced in community arts centers, universities and in public places, a time when the cultural boycott simultaneously united and polarized artists, and exiles mediated the ambivalences of 'home.'

      



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