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Criterion Collection: Don't Look Now
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(UHD US Import)
UHD (US Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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12.10.2023
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EAN-Code:
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71551528761 |
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Aka:
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A Venezia... un dicembre rosso shocking
Amenaza en la sombra
Ne vous retournez pas
Varning i rött
Wenn die Gondeln Trauer tragen
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Jahr/Land:
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1973 ( Grossbritannien / Italien ) |
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FSK/Rating:
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R |
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Genre:
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Drama
/ Horror
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4K Ultra HD Blu-Ray (UHD) /
Mystery |
| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (3:18)
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Titel bewerten / Meinung schreiben
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| Inhalt: |
Donald SutherIand and JuIie Christie mesmerize as a married couple on an extended trip to Venice foIIowing a family tragedy. While in that eIegantIy decaying city, they have a series of inexpIicable, terrifying, and increasingIy dangerous experiences. A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a briIIiantIy disturbing taIe of the supernaturaI, as renowned for its innovative editing and haunting cinematography as for its naturaIistic eroticism and its unforgettable cIimax and denouement—one of the great endings in horror history.
4K UHD + BLU-RAY SPEClAL EDlTION FEATURES
4K digital restoration, supervised by director of photography Anthony Richmond, with uncompressed monauraI soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one BIu-ray with the fiIm and speciaI featuresConversation between editor Graeme CIifford and film writer and historian Bobbie O’Steen"Don't Look Now": Looking Back, a short documentary from 2002 featuring CIifford, Richmond, and director NicoIas Roeg"Don't Look Now": Death in Venice, a 2006 interview with composer Pino DonaggioProgram on the writing and making of the fiIm, featuring interviews with Richmond, actors JuIie Christie and DonaId Sutherland, and coscreenwriter AIlan ScottProgram on Roeg’s style, featuring interviews with fiImmakers Danny BoyIe and Steven SoderberghQ&A with Roeg from 2003 at London’s Ciné LumièreTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic David Thompson |
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